I reclaim painting as an ever-burning language: restless, contemporary, and subversive.
Through artisanal techniques and visual codes, I try to reconcile the handmade with the digital. I paint because machines fail me (they crash, they freeze, they become obsolete), and yet I love them. So I use my brushes to reconnect with the digital, or to make the digital handmade.
My practice revolves around portraiture: repetitions, cultural patterns and disguises of the sacred and the absurd, where Orthodox icons, advertisements, and pixels overlap.
Each artwork is a mirror of me or of the world I see, wearing the laughter that makes it all make sense.